Play Along Piano

Tags

Baroque

J.P. Rameau, Suite en Sol, L'enharmonique

pental

10:26	Est. Play Time
98	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	10	8	99%
		42	7	14	8	96%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	10	10	8	99%
		42	7	14	8	96%

K.380, Domenico Scarlatti

PreludeAndFugue

4:52	Est. Play Time
78	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	9	8	8	98%
		28	27	9	8	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		28	9	8	8	98%
		28	27	9	8	98%

HWVA3N15 - "Se Fiera belva"

edward.maurath

6:18	Est. Play Time
71	Measures
	1,346Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Organo Continuo	19	19	6	6	77%
	23	9	6	8	100%
Cembalo Continuo	17	8	5	6	65%
	23	34	7	8	100%
Contrebasso Continuo	20	0	5	5	91%
Violini	28	0	9	5	91%
Violoncello Continuo	20	0	5	5	90%
Castrato Alto as Bertarido	15	0	5	5	66%
Bassoon Continuo	21	0	5	4	65%
Viola	14	0	1	5	42%

Schütz: Selig sind die Toten (WIP)

AymericHM

5:04	Est. Play Time
218	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		14	17	3	7	85%
		16	10	3	8	92%

Buxtehude - Toccata in F Major. {Professional production score.} Unfinished.

Jamie Holdham

2:09	Est. Play Time
102	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Pipe Organ	21	9	5	9	88%
	13	4	2	9	87%
	14	0	1	6	82%

Passacaglia & Fugue C minor

infanf

11:41	Est. Play Time
293	Measures
	2,231Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klarinette	29	7	11	8	90%
Oboe	24	0	8	10	89%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Klarinette	29	7	11	8	90%
Oboe	24	0	8	10	89%
Fagott	39	0	13	7	88%
Flöte	25	1	9	9	87%

Voluntary IV Opus 7 by John Stanley

ChurchOrganist

6:17	Est. Play Time
137	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	7	14	9	97%
		26	1	9	7	99%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		37	7	14	9	97%
		26	1	9	7	99%

Kyrie in E minor (Opus 17)

schoutens

9:49	Est. Play Time
288	Measures
	2,861Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	35	8	15	9	88%
	36	2	15	9	96%
Violoncello	24	0	10	8	75%
Contrabass	24	0	9	9	56%
Bass	23	0	10	8	55%
Violin	29	0	10	9	46%
Viola	27	0	9	9	41%
Soprano	19	0	8	8	35%
Alto	19	0	7	8	30%
Tenor	19	0	7	6	29%

Giovanni Zamboni: Fuga from Sonata 7

H. Gürtler

4:16	Est. Play Time
63	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Erzlaute		32	8	11	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Erzlaute		32	8	11	8	100%

"So feiern wir das hohe Fest" BWV 4

edward.maurath

2:21	Est. Play Time
43	Measures
	1,448Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	19	29	5	8	100%
	21	7	5	8	100%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo (Continuo)	19	29	5	8	100%
	21	7	5	8	100%
Contrabass (Continuo)	21	0	5	8	100%
Violoncello (Continuo)	21	0	5	8	100%
Flute as Soprano	17	0	5	7	84%
Bassoon as Tenore	15	0	5	7	79%

Bach: Harpsichord Concerto Number 3 in D Major, BWV 1054

edward.maurath

18:06	Est. Play Time
391	Measures
	5,870Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Left Hand	31	8	12	8	100%
Cembalo Right Hand	35	18	14	10	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Left Hand	31	8	12	8	100%
Cembalo Right Hand	35	18	14	10	99%
First Violin	28	0	11	9	94%
Second Violin	23	0	8	7	93%
Viola	22	0	9	8	91%
Violoncello Continuo	27	0	9	9	84%
Violone Continuo	24	0	8	9	84%

HWV56N18Y1741 Messiah - Rejoice greatly - 12÷8 time

edward.maurath

8:30	Est. Play Time
120	Measures
	2,268Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	90	8	10	95%
	26	72	8	7	100%
View all 10 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	25	90	8	10	95%
	26	72	8	7	100%
Organo	25	90	8	10	95%
	26	72	8	7	100%
Bassoon	23	0	8	6	100%
Celli	23	0	8	6	98%
Contrabass	22	0	8	6	90%
Violin	26	9	8	9	84%
Oboe	26	13	8	9	83%
Soprano	14	0	5	8	75%

HWV56N26 - All we like sheep have turnèd

edward.maurath

4:32	Est. Play Time
93	Measures
	2,332Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
View all 13 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsichord	28	53	8	7	95%
	26	21	7	4	100%
Cello	26	0	7	4	100%
Contrabass	26	0	7	4	100%
Violin I	21	0	5	7	90%
Organ	22	9	7	8	87%
	23	10	7	6	82%
Violin II	25	0	7	8	87%
Soprano	17	0	4	6	85%
Tenore	15	0	4	6	83%
Alto	14	2	4	7	79%
Viola	20	0	5	6	79%
Basso	18	0	6	6	77%

Harpsichord Concerto Number 3 in D Major, BWV 1054

edward.maurath

18:06	Est. Play Time
391	Measures
	5,944Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Left Hand	31	8	12	8	100%
Cembalo Right Hand	35	18	14	10	99%
View all 7 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Cembalo Left Hand	31	8	12	8	100%
Cembalo Right Hand	35	18	14	10	99%
First Violin	28	0	11	9	94%
Second Violin	23	0	8	7	93%
Viola	22	0	9	8	91%
Violoncello Continuo	27	0	9	9	84%
Violone Continuo	24	0	8	9	84%